Author: Liyah G.

Reading Time: 2 minutes

Donna Haraway’s “Cyborg Manifesto” from 1985 boldly questioned the inflexible limits of gender and identity, imagining a time when borders melt into an infinitely fluid field of possibilities. In 2018, Janelle Monae’s album “Dirty Computer” presents a vivid tale of a dystopian society that punishes nonconformity and celebrates the richness of identity. This record resonates closely with Haraway’s views.

Haraway advocates for an identity that is not limited by binary classifications and uses the cyborg as a symbol of liberation from traditional gender norms. Monae’s art incorporates this idea very subtly. Songs like “Django Jane” support Haraway’s claim that we are all capable of creating our own identities by showcasing the strength of personal expression and defiance of social standards. The words by Monae encourage us to accept our complex identities rather than fitting into preconceived notions that are imposed by the media.

Monae and Haraway both highlight the ways in which identity and technology intertwine. Technology is used as an instrument of oppression as well as a method of emancipation in “Dirty Computer.” Themes of control and monitoring are present in the title track, which echoes Haraway’s cautions about the ways in which technology might strengthen pre existing power systems. But Monae also shows how accepting one’s “dirty” identity may undermine these very systems, just like the cyborg challenges patriarchal myths.

Through her art, Monae encourages us to consider our identities in the face of social pressure. The “PYNK” music video embodies Haraway’s concept of fluidity and interconnection, offering a forceful celebration of many bodies and identities. It serves as an example of the value of embracing one’s individuality and the beauty found in variety, despite social pressures.

If you want to go deeper, reading Haraway’s book and listening to Monae’s album together will help us better comprehend what identity means in modern culture. Their combination of concepts draws attention to the continuous battle for authenticity in a society that frequently rewards conformity.

https://www.billboard.com/music/pop/janelle-monae-interview-dirty-computer-tour-8472705

Reading Time: 2 minutes

Lights on me, cameras on three and we’re rolling. As we step into the film Blade Runner by Ridley Scott and the novel “Neuromancer” by William Gibson we see that both forms of media represent Cyberpunk qualities through bright neon lights, tall skyscrapers, and hyper dependence on technology. 

 (Chiba City in Neuromancer (1))

(Los Angeles in Blade Runner (2))

As the qualities of Cyberpunk vary, the three qualities mentioned above played crucial roles in the development of the plot and the message portrayed throughout both medias. Neon lights are used to represent the blurred lines between technology and reality in that neon lights are a way to distract consumers from relying more and more on technology (3). The following article, has more discussion about the role of neon lights in the Cyberpunk genre https://neonhub.com/blogs/news/neon-cyberpunk-neons-Role-in-cyberpunk-culture. As for tall skyscrapers, they serve as physical representations of how technology has surpassed human understanding. As technology gradually advances, robots and AI machines have become more human-like causing humans to question their identity as humans. In using these qualities to represent the genre Cyberpunk, Scott and Gibson draw parallels to the reality of humans growing more and more dependent on technology.  

Throughout the film, Blade Runner, there are many instances where a scene cuts to the city which is covered in neon lights and tall skyscrapers. To be more specific, the opening scene of the film exhibits this and brings attention to the dark, crowded and gloomy city. Having billboards and old buildings covered in flashing bright neon lights contradicts how wrecked the city actually is. This depiction was made to show that although technology is advancing, the city and people who consume it are regressing and decaying away.

In the novel, Neuromancer, these qualities are seen in the description of Chiba City which is also very dark and grimy but has bright neon lights throughout it. Gibson’s approach was similar to Scott’s as he portrayed a society that is filled with cutting edge technology but the reality of where the technology is being innovated is a harsh and gritty society. 

Both medias display a dystopian environment that is foreseeing what our world will look like if we continue advancing and depending on technology. In today’s time, our society doesn’t appear on the outside as such, but I believe on the inside it does. 

Sources

1. https://medium.com/@ryansaffiliatehustle/exploring-the-cyberpunk-world-of-neuromancer-afe0c8a4d8c9
2. https://variety.com/2017/film/columns/how-blade-runner-became-a-geek-metaphor-for-art-1202583468/
3. https://neonhub.com/blogs/news/neon-cyberpunk-neons-role-in-cyberpunk-culture